Fanney Khan is an official remark of 2000 Belgian film, “everybody famous”. Anil Kapoor plays the lead role of Fanney khan a middle-aged father of a teenager daughter with a ray of hope flickering in his eyes and tune in his heart who pushes her daughter to be a singer. While Aishwarya Rai Bachchan plays the role of baby Singh a gorgeous singer. Rajkumar Rao plays the friend of Anil Kapoor who helps him kidnap Aishwarya Rai. Pihu sand plays the role of the daughter named Lata Sharma being an aspiring overweight teenager girl she is always body shamed irrespective of her talent.
Fanney Khan Trailor
Directed: Atul Manjrekar.
Written: Hussain Dalal, Atul Manjrekar, Jasmeet K.Reen
Produced company: T-Series films Rakeshy Omprakash Mehra.
In Theaters: Aug 3, 2018
Box office:10.70 crore
- Anil Kapoor as Prashant Kumar Sharma “Fanney Khan”
- Aishwarya Rai Bachchan as Baby Singh aka Sumitra Singh
- Rajkummar Rao as Adhir
- Divya Dutta as Kavita Sharma
- Pihu Sand as Lata Sharma
- Satish Kaushik as Kader Bhai
- Barbie Rajput as Rhea
- Satish Kaushikas Karan Kakkad
- Swati Semwal as Jinal
- Suddu Alias Zina
Fanney Khan has rated 83% and 4.6/10 on IMDb. Weak script & lot of mellow drama, in fact, the script is pretty stupid and devoid of any logic is a letdown, Performances, emotion and humor lite up. It shows how parents live their dreams through children. This isn’t just a film about the entertainment industry. It’s also a story about a father’s love for his daughter. The music of the movie is okayish. But overall it’s superb on acting & entertainment front. This topic could have been handled brilliantly and could have been used to send out a message but NADA. Neither she practices music, nor she exercises and instead is always charging like a bull at her Dad for absolutely no reason and it gets really irritating. Seriously why??
The film is an Emotional drive which teaches each one of us to follow our dreams and focuses on that important person in our life who plays the role of Fanney Khan and stands with you throughout your journey supporting you through all the odds. This movie could have been better if the script could be more logical and on the track. This film misses logic. But overall definitely a onetime neat family entertainer.
Fanney Khan Review
FANNEY KHAN is an official remake of the Belgian film IEDEREEN BEROEMD aka EVERYBODY’S FAMOUS. While the original film was shorter and had dark comedy, thereby maximizing impact, FANNEY KHAN on the other hand moves at its own pace and is too melodramatic. While this may work for some, others might find it unconvincing. Atul Manjrekar, Hussain Dalal and Abbas Dalal’s screenplay is lackluster at places but scores at a few places. Hussain Dalal, Abbas Dalal, Jasmeet K Reen and Athar Nawaz’s dialogues are simple but quite funny in some scenes.
Atul Manjrekar’s direction could have been better and that in turn would have made the film better. There’s no doubt that he handled some scenes exceptionally well. However, at many places, he loses the plot. The storyline is quite illogical in the first place and it needed an expert hand to ensure the film works logically. Unfortunately, Atul partly fails in his endeavour.
FANNEY KHAN has a decent commencement and sets the mood of the film. The introduction of characters, however, is not that impressive. The track of Adhir and Jinal (Swati Semwal) however is interesting. The film picks up thankfully once the kidnapping takes place. The manner in which Fanney Khan and Adhir make futile attempts to scare Baby Singh makes for a great watch. In the second half, the film drops again and hooks viewers only towards the end. The climax would be loved by a section of viewers as its quite moving. But some might find it too illogical.
The performances, however, are too good, thereby helping the film. Anil Kapoor is in great form and is the soul of the movie. The emotional scenes work thanks to him. One can feel his pain and one can’t help but root for him even when one knows that what he did isn’t right. Rajkummar Rao genuinely puts his best foot forward and is endearing. He raises laughs in the kidnapping scene. Aishwarya Rai Bachchan looks like a million bucks and adds a lot to the film with her supporting role. Pihu Sand seems a bit irritating at places but she makes up for it with her touching performance in the climax. Divya Dutta (Kavita) is dependable as always. Girish Kulkarni, as usual, plays the negative part quite well. Satish Kaushik (Kadar bhai) has an interesting part but is wasted. Barbie Rajput (Rhea), Swati Semwal and Asif Basra are decent.
The songs are appropriate for the sequences in which they appear but could have better since the film is essentially a musical. ‘Achche Din’ is the best of the lot. ‘Tere Jaisa Tu Hai’ comes next and it comes at a crucial juncture. ‘Mohabbat’ serves as a fair introduction for Aishwarya. ‘Fu Bai Fu’ has interesting lyrics. ‘Halka Halka’ is the most unconvincing portion of the film as it shows a prominent singer, whose kidnapping has shaken the entire nation, roaming around freely! Tubby – Parik’s background score goes well with the various moods of the film.
S Tirru’s cinematography is quite effective. Ajay Vipin’s production design however is nothing great although it works in the house scenes of Fanney Khan. Monisha R Baldawa’s editing is passable. Eka Lakhani and Manish Malhotra’s costumes are appealing, especially the ones worn by Aishwarya.